UpCoMiNg ShOwS

YOU CAN NOW CLICK ON A FLYER FOR AN ENLARGED VERSION - that way you can make out the smaller details.  

 

Wed 17

the Apache Cafe - Al Smith's Midtown Atlanta Jam Session! Contemporary Jazz , Soul, R&B and Vocalist's jam Session - $6 - 18+ Atlanta 8 pm

the 5 Spot - The Malah and DiNovo - $7 - Little 5 Points 8 pm

Kavarna - Los Buenos with Adam Franklin and Bolts of Melody - Decatur 9 pm

the Drunken Unicorn - Lesbian Afternoon, Letting Up Despite Great Faults and Tous Les Jours - $5, 21+ Atlanta 9 pm

529 - St. Patricks Day Goth Dance Party w/ DJ Chris Daresta - Atlanta 8pm

 Eddie's Attic - *ST. PATRICK's DAY CELEBRATION*: BUDDY O'REILLY BAND - $13 - 21+ Atlanta 9 pm


the Earl - the Blue Eyed Goodbyes, Book of Colors and Angela Faye Martin - $7 - 21+ Atlanta 8 pm

Highland Ballroom - “Damaged w/ Lost Cause DJ’s - Free - Atlanta 10pm

Thu 18

 

Star Bar - POP DEATH SQUAD PRESENTS - BIG TROUBLE IN LITTLE FIVE - A Fight to the Death, Mumpsy, Romeo Spike ,Spencer Garn's Psychedelic Organ - FREE SHOW - Atlanta 9pm

WonderRoot - Street Violence, Giesterkatzen, SugarDicks and The Former Masters of Persian Music - Atlanta 8 pm

the 5 Spot - *JK and the Lost Boys CD Release* feat: JK and the Lost Boys, Johnny Rockbridge and the High Chairs and the Family Funk - $5 - Little Points 8 pm

the Drunken Unicorn - *Performer Magazine Presents*: Future Self, Dead Heart Bloom and Silent & Listen - $5 for 21+, $7 for 18+, 21+ Atlanta 9 pm

529 - Coffin Bound, North Trolls, Ampline, Daikaiju - Atlanta 8pm

The Earl -  The Mercury Program, Fin Fang Foom, Nigredo - Atlanta 8:30pm

Highland Ballroom - Glen Iris, the Tsar Bombas, Walk from the Gallows - Atlanta 8:30pm....and then - “Nice N’ Naasty 80’s Discoteque” w/ DJ Adam Bomb and DJ Notech

Fri 19

WonderRoot - Voodoo Star Machine, Joker, Culdesac Orange, The Public Speakers and Maribelle - Atlanta 8 pm

the Masquerade - *Wavepool CD Release Show* feat: Wavepool, Lakehurst is Burning, Karbomb and Campaign - Hell - $8 - Atlanta 8 pm

Under the Couch - Come What May, Frankly My Dear and An Isle Ate Her - $5 for non students - Georgia Tech 8 pm

the Drunken Unicorn - Tombs, Graves Of Valor and Whores - $6 in adv, $8 DOS, 21+ Atlanta 9 pm

 Eddie's Attic - Moanin' Michelle Malone and Ken Will Morton - $22 - Atlanta 8 pm

The Earl - Wayne "The Train" Hancock, Slim Chance & the Convicts - Atlanta 8:30pm

Highland Ballroom - Robot Party with The Fabric, Indigovox, Reklein, DJ Swivel -  $5 - 8:30pm

529 - All the Saints, Balkans, Lyonnais  - Atlanta 9pm


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News & New Tunes

Check out some new pictures in the pictures section of Royal Thunder, epic metal rockers Sybaritic and flyers of shows Beatlanta has promoted.

 

For those who haven't heard, ATL indie rockers Today the Moon, Tomorrow the Sun were featured on the cover of last months issue of Performer Magazine.

 

Sealions will have their debut full length out soon.

 

It's Elephant's new LP 'Gets Along' is available at Itunes and soon to be in stores. Read about it here.

 

We are pleased to announce that beatlanta has joined the list of sponsors for this year's Strange Days Festival. Confirmed bands for this years Strange Daze Fest taking place on August 14th include the following:

Untied States, Stokeswood, Vegan Coke, Before the Solstice, Lesbian Afternoon, Efren, Detroit Mutant Radio,Tim McNary w/ Anne Harper

For bands who wish to apply, visit this page.

 

Dead Rabbit is releasing their upcoming EP 'the Rabbit that Roared' and is having their release party at WonderRoot with other locals Holy Ghost, Hip to Death and Telestrion.

 

 

Athens Punk Superstars Reeks of Failure will have a new album out soon.

 

ATL metal band Carosis is currently working on a new full length. They have a new song streaming on their myspace page now.


New song "Fallin" from local rap artist Alpha ft BJ Bowers is now up!

 

Thee Crucials will be entering the studio soon. You can stream some of their songs here.

 

Awesome locals Of Machines are on tour, but don't worry, they'll be back soon!

 

Satellite District is in the studio at Sonica recording studios, with producer John Briglevich. From guitarist Yul, "We are recording our Follow up EP to New World. Its faster, darker and more agressive than the last one. Working on a CD Release date and we are adding out of town dates as we speak."  Check myspace for cities near you. Their EP New World is an amazing album, so hopefully we get another awesome album soon.

 

Read beatlanta's latest album review of Mog Rocket's Tooth and Nail here.

 

Check out local hip hop artist Haziq Ali's fresh new video 'Freedom/Hussla' HERE on Vimeo, this is Haziq's long awaited debut video directed by 6ix Shoota and produced by Cool Kids Forever Films.

 

StickFigure Records is set to release three awesome CD's January 26th: Warning Light's "Further On", Lid Emba's "Terminal Muse: Red", and the much anticipated La Chansons release "King and Queen Of The Dance Floor". Also, La Chansons will be having their CD release show at the Drunken Unicorn this Saturday, January 30th, free CD with admission. Check out the distro site for downloadable songs and more info on the releases.

 

Atlanta Super Group The Constellations have a slew of upcoming East Coast shows this month before a full scale U.S. tour come Spring time. You can get a free download from their latest ablum here.

 

Tickets go on Sale Friday, January 15th for Spoon, Deerhunter and The Strange Boys at the Tabernacle on Sat March 20.

 

Dead Confederate will be recording through February in Hoboken, NJ with producer John Agnello, who has worked with such artists as the Hold Steady, Dinosaur Jr., Sonic Youth and the Drive-By Truckers.

 

Atlanta's O'Brother will be opening for Manchester Orchestra's entire upcoming U.S. Tour.  O'Brother has a split 7" release show at the Drunken Unicorn on Friday, January 22nd, 2010

 

from Jungol's myspaceJungol is currently in the studio working on their new full length with plans of a tour come Spring time.

 

 

Athens' own the Gold Party is in the studio recording now.

 

Quantcast

  Quantcast

 

Mike Morgan of the North Trolls 

 


Click to enlarge ALBUM COVERS

 

 

 

 

 

The Coathangers -

 

 

 

 


 

 


BANDS WE RECENTLY ADDED TO OUR BAND PAGES:

Jason Coley

Fred Burns

Flatbush

Norma Jean

Sorry No Ferrari

Hellstormers

3052 Dub Collective

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    « Upcoming Sounds to SEE... | Main | Damon Moon and the Whispering Drifters at the Drunken Unicorn... »
    Tuesday
    24Nov2009

    The Peppermint Confederacy - Interview, Album review and more...


    I found The Peppermint Confederacy while doing research for our bands section. I had never heard of the five piece from Woodstock, GA so I had no idea what I was going into. The album was free and immediately available so I decided not to listen to them through their myspace player; that way I was clueless to their sound when I sat down with the album. The album was instantly perplexing and hard to classify so I took it on for a few weeks, listening to it everyday, searching for new clues and answers. What I found was was an awe-inspiring experience that took me deep into the mind and somewhat fantasy like world of The Peppermint Confederacy and lead vocalist Josh Miller.

    In the Rain of Daylight is a wondrous entity from start to finish. The Peppermint Confederacy provide substance and introspect mixing folk and alt-country that provide the listener with a sense of being lost, but with the feeling that your on the way to a magnificent new beginning. It was an adventure to listen to with the fusion of an array of instruments and meditative, somewhat psychedelic effects, mostly with a folky acoustic foundation. Everything from Acoustic Guitar to Harmonica, Piano and Maracas come together to create a soft and sobering sound that hits with passion and insight.  

    What I enjoyed most about In the Rain of Daylight was its completeness. The music made is intelligent and well thought out with intention and purpose. It seems to have a goal and that goal is moving you towards thoughtful contemplation. Each song leads into the next with grace and smoothness that is not easily found or repeated, seeming to bridge the move from one device to the next; making it possible to experience the last song and the current one simultaneously, and with cause. The album is a journey with an emotional and subtle intensity. The lyrics stand alone as an impressive example of the art of language and arrangement. They are poetic and philosophical at their worst moments. Mix in some elegant and imaginative rumination on top of amazing and beautiful music, and you have Josh Miller and The Peppermint Confederacy's fantastically dreamy phenomenon, In the Rain of Daylight.

    The interview below is amazing. All due to the answers and what you find by listening to the members and music of The Peppermint Confederacy. My first impression of the sound was a little off, but thats simply due to its uniqueness and originality...so I challenge the new listener to take the album on for many rounds, and I'm positive you'll be impressed.  The lyrics can be found free at the band's myspace page. You can also download the entire album from there. READ the interview below. LISTEN to and go see The Peppermint Confederacy.

     

    The Interview...

    1. I really like "Fire on the Moonlight." Can you tell me a little bit about that song? I also really like

     The guitar part of fire on the moonlight was written by Chris with the help of whiskey, and the lyrics/vocal melody were written by myself under the influence of lots of cough gels.  I wanna use my voice to inspire people and change the world and I want others to use their voice and do the same be it a singing voice, speaking voice, shouting voice, or something like a paintbrush or keyboard.  There's a lot of selfishness and greed that makes life hell for a lot of people, but I want to inspire such a fierce optimism in spite of the darker elements of humanity that it rises up in people like the sun.  Perhaps I'm bipolar, but I really want to write from a perspective that is both sorrowful and hopeful, with the ultimate intent of inspiring others.


    2. I was going to ask if one person writes most of the music or if its a more collaborative thing, but reading that you were a solo act, it kind of answered that. However, in the newly acquired lineup, are you looking to move into a more collaborative role? If so, are you worried or anxious at all about where that may take your sound? Or are you motivated by the change? Has the move from a solo act to a full lineup gone smoothly for you and the band?  I only ask because the sound seems so direct and with intent. Each song is reminiscent of the last but each creates an individual experience; much like you might find in a solo artist. I'm just curious of the new dynamic of the band.

      We take turns coming up with the foundational element which is usually an acoustic guitar but might involve anything in the future. Typically if one of the guys has written the basic riff or whatever I have to work with them on structure as I add lyrics and make sure we have distinct transitions from verses and choruses and what not. When I write the song on guitar the guys just jam over and over until their parts sound precise. Things start off as jams and get played until the jams have evolved into parts.  Since the five piece became official we haven't done a lot of collaborative writing and we're trying to get into a habit of getting together for writing. I want our new material to be well planned out and tastefully executed so that when we practice enough everything sounds really tight, atmospheric, and dynamic. I think the best way to do that will be having all of us together working through each part, but who knows? We might just keep doing it this way if that doesn't work out. Neither the bassist or I know any theory whatsoever so it's hard to communicate.

    3. Were the array of instruments part of your solo act as well or did they come with the new musicians (cello, harmonica, Piano, effects)?

    I've always collaborated with talented musicians in my recordings. The first two Peppermint Confederacy albums were done in Jacksonville, Florida with a jazz/funk drummer/bassist named Johnny Rumbach. Geoff Knorr,  who played cello on In the Rain of Daylight, also played on my last album, "Glorybaby" (closest to a real solo project sound), but for the most part Chris and Greg have added all of the really interesting sounds to the mix. My music just doesn't sound nearly as interesting or full without them.

    4. I am a lover of poetry and lyrics myself; your lyrics are quite profound at times, very poetic, philosophical; they are amazing in that they could stand on their own as great poetry. Do you write the lyrics before the music? After? Or maybe a mix? Tell me a little bit about your writing process?

    I have to hear the song to really write good lyrics. I do write poems as well, but I used to try and play music to poems I'd written and it just never sounded precise enough. I like having the music because I can be inspired to write lyrics that really fit with the melody and capture the mood of the music.  Sometimes the sound of a song reminds me of the ocean so I write about the ocean and mix metaphors and perspective in where I can. With Chris and Greg's songs I like to have them sit there and play me the riff over and over or record it on the computer. I sing gibberish to get the melody and meter down and just write the lyrics into that sort of mold the music has created.

    5. The lyrics are intensely introspective...What motivates your lyric writing? 

    Most consistently for me It's my relationship with nature/God/the universe/whatever. I'm sort of a Transcendentalist and I get a lot out of looking around and finding beauty and inspiration simply in nature, but I tend to keep my own perspective and emotions involved because it's those elements that make them what they really are to me. A tree in and of itself is poetically not that significant, but what that tree makes me feel or think and how I relate to it is full of meaning if I can just look deep enough to figure it out and make the right connections. I can use external elements to explain internal struggles because those elements are all colored and brought to life by my perspective which is quite an introverted one. Being an introvert and a weirdo and a poor person have lead to some pretty desolate times in my life and I'm always sort of struggling with that, so when I look around and see a blade of grass I think of how much blades of grass must love the sunlight just like I loved a girl named Rae who was far away and I knew I'd probably never reach, hence the song Rae about a blade of grass in love with the sun.

    6. What do you use to add the effects in the ablum? Particularly, the spacey sound in "Thirst" that carries you through to the end of the song?


    There was talking and hanging out played backwards, a tom muffled with a cloth and hit over and over then maximized, a bunch of random guitar work with pedals being tweaked and played with.


    7. What do you hope people take away from "In the Rain of Daylight"?

    Rest and encouragement. I want people to be able to close their eyes and escape when they're listening all alone. Music keeps me going and has kept me somewhat sane/alive/and well and I'd like to return the favor to some other quiet obscure introvert out there; someone who relates to the sadness of the melody and who can identify or be brought to identify with the Joy hidden in the lyrics... like gold hidden deep in the ground.


    8. Any closing thoughts or something you would like to pass on to fans of the album? 

    Think for yourselves, hold on to your dreams, act like individuals, hang in there, and come see us play live sometime because we want to hang out with you and share a crazy, beautiful, spiritual experience with you involving music.  

    9) One last question....What is in the name "The Peppermint Confederacy"?  How did that come about? 

    The name came from a guy my mom dated when she was younger. He was in a cover band called The Peppermint Confederacy and they broke up while my mom was still dating the guy. She always talked about how cool that band name was when she found out I was into music and trying to start bands all the time. I was kind of into Tooth and Nail punk stuff at the time and wasn't really interested in calling my band that. The first song I played under this moniker was written in 2004 for my mom and it was played at her memorial service. I've kept The Peppermint Confederacy around ever since.


    Thirst

    The Peppermint Confederacy | MySpace Music Videos

     


    Blindlight - Live @ The Drunken Unicorn August 12th, 2009

    The Peppermint Confederacy | MySpace Music Videos

     

    See more videos from The Peppermint Confederacy here.

     

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